<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	
	>

<channel>
	<title>odabrekke.com</title>
	<link>https://odabrekke.com</link>
	<description>odabrekke.com</description>
	<pubDate>Tue, 01 Sep 2026 16:52:34 +0000</pubDate>
	<generator>https://odabrekke.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Home</title>
				
		<link>https://odabrekke.com/Home</link>

		<pubDate>Wed, 05 Jan 2022 18:48:20 +0000</pubDate>

		<dc:creator>odabrekke.com</dc:creator>

		<guid isPermaLink="true">https://odabrekke.com/Home</guid>

		<description>
	ODA BREKKE
	
</description>
		
	</item>
		
		
	<item>
		<title>Soft Machines / du står utanför med en penna (installation)</title>
				
		<link>https://odabrekke.com/Soft-Machines-du-star-utanfor-med-en-penna-installation</link>

		<pubDate>Tue, 01 Sep 2026 16:52:34 +0000</pubDate>

		<dc:creator>odabrekke.com</dc:creator>

		<guid isPermaLink="true">https://odabrekke.com/Soft-Machines-du-star-utanfor-med-en-penna-installation</guid>

		<description>Soft Machines / du står utanför med en penna&#38;nbsp;The choreographic collaboration with Stina Ehn Soft Machines / du står utanför med en penna was presented in the form of an installation in the group exhibition Vardagens Koreografi curated by Elias Kautsky at Haninge Konsthall 28 June- 30 August 2026.&#38;nbsp;The original performance was presented at the opening 28 June and remained in the exhibition through choreographic scores functioning simultaneously as documents of the work and invitations for visitors to engage with. The scores were piled on stacks of paving stones and accompanied by Saga Fagerström’s music.&#38;nbsp;
&#60;img width="8256" height="5504" width_o="8256" height_o="5504" data-src="https://freight.cargo.site/t/original/i/07296dcdf2678855cb8eb99fc0993e4def937d42abdf11457c3b18d00def0761/Vardagens_koreografi_6.jpg" data-mid="251772388" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/07296dcdf2678855cb8eb99fc0993e4def937d42abdf11457c3b18d00def0761/Vardagens_koreografi_6.jpg" /&#62;
&#60;img width="7963" height="5309" width_o="7963" height_o="5309" data-src="https://freight.cargo.site/t/original/i/709f0b21bdf48e109460d2b5093fe715eaef1e63370bd43a7b1aefae6a1917e0/Vardagens_koreografi_4.jpg" data-mid="251772999" border="0"  src="https://freight.cargo.site/w/1000/i/709f0b21bdf48e109460d2b5093fe715eaef1e63370bd43a7b1aefae6a1917e0/Vardagens_koreografi_4.jpg" /&#62;
“I mötet mellan kropp och omvärld formas våra rörelser genom repetition, justering och variation, som med tiden blir till givna former. Med andra ord rymmer vardagen, liksom dansen, en koreografi. Den innehåller anvisningar, rytmer och strukturer som kan läsas av och som styr hur vi rör oss genom rum, arbete och tanke. Utifrån detta närmar sig sommarens utställning relationen mellan kropp och system, mellan det levda och det förutbestämda, där rörelsen både producerar och förskjuter villkoren. I Anna Ådahls målningar Den programmerade kroppen möts läsbarhet och bild. Målningarna kan uppfattas som sakrala och gåtfulla, men genom en nyckel framträder ett system. Lästa nedifrån och upp visar de en kropp och dess rörelse, medan de uppifrån och ned kan läsas som ett “behavior tree”, det vill säga en kod som organiserar datorns handlingar. I Hicham Gardafs film rör sig försäljarna av blekmedel från Tangers utkanter in i stadens industriella miljöer. Dera slångsamma tempo och tunga bördor vittnar om kroppar formade av arbete och ekonomiska villkor, samtidigt som deras rop bryter igenom stadens brus. Här uppstår en rytm som bär spår av en annan tid och som står i kontrast till samtidens acceleration. Det mekaniska och det kroppsliga möts även i Stina Ehn och Oda Brekkes koreografi. Rörelser upprepas i cykler, i och ur synkronisering. De omprogrammeras genom tillfälliga möten och små avvikelser där detaljer spiller över sina ramar. Verket framförs i sin helhet endast en gång och blir sedan kvar som handskrivna instruktioner, ljud och betong. Tillsammans fungerar de både som dokumentation av en process och som en inbjudan till besökaren att närma sig rum och ytor genom sin egen närvaro.”– Elias Kautsky

&#60;img width="4933" height="3289" width_o="4933" height_o="3289" data-src="https://freight.cargo.site/t/original/i/e114f6af5da420c54569adcaff631ac9b3a7669d35a236e61cb9dcba7361af76/Vardagens_koreografi_13.jpg" data-mid="251773096" border="0"  src="https://freight.cargo.site/w/1000/i/e114f6af5da420c54569adcaff631ac9b3a7669d35a236e61cb9dcba7361af76/Vardagens_koreografi_13.jpg" /&#62;

&#60;img width="7457" height="4971" width_o="7457" height_o="4971" data-src="https://freight.cargo.site/t/original/i/1044682d3f8000ade35796397d45f7c0bfce945e56f86f36020013d1c76e3a6f/Vardagens_koreografi_11.jpg" data-mid="251773094" border="0"  src="https://freight.cargo.site/w/1000/i/1044682d3f8000ade35796397d45f7c0bfce945e56f86f36020013d1c76e3a6f/Vardagens_koreografi_11.jpg" /&#62;&#60;img width="6754" height="4503" width_o="6754" height_o="4503" data-src="https://freight.cargo.site/t/original/i/dc7d8c81676d43e25262a7257da23cf1648a5f079edab95316b8922fc3a6d483/Vardagens_koreografi_12.jpg" data-mid="251773095" border="0"  src="https://freight.cargo.site/w/1000/i/dc7d8c81676d43e25262a7257da23cf1648a5f079edab95316b8922fc3a6d483/Vardagens_koreografi_12.jpg" /&#62;
&#60;img width="7778" height="5185" width_o="7778" height_o="5185" data-src="https://freight.cargo.site/t/original/i/d7c7f852b11d062487e61038df572db5b28a973328fbacd019804848f6095093/Vardagens_koreografi_10.jpg" data-mid="251773093" border="0"  src="https://freight.cargo.site/w/1000/i/d7c7f852b11d062487e61038df572db5b28a973328fbacd019804848f6095093/Vardagens_koreografi_10.jpg" /&#62;
Photo: Sissela JenssenChoreography Stina Ehn and Oda Brekke Performers Oda Brekke, Ottavia Catenacci, Ewemande Ehiwe, Stina Ehn, Lisa Schåman, Sunniva Vikør EgenesMusic Saga FagerströmCostume Elise Nohr
Administration Interim kultur -an employment cooperative owned by artists
Supported by Nordisk Kulturfond, Nordisk kulturkontakt, Konstnärsnämndens internationella dansprogram, Region Stockholm


</description>
		
	</item>
		
		
	<item>
		<title>Soft Machines / du står utanför med en penna</title>
				
		<link>https://odabrekke.com/Soft-Machines-du-star-utanfor-med-en-penna</link>

		<pubDate>Mon, 31 Aug 2026 14:31:02 +0000</pubDate>

		<dc:creator>odabrekke.com</dc:creator>

		<guid isPermaLink="true">https://odabrekke.com/Soft-Machines-du-star-utanfor-med-en-penna</guid>

		<description>Soft Machines / du står utanför med en penna
Soft Machines / du står utanför med en penna is a choreographic work consisting of cyclical dance phrases in which sensitive gestures and interactive expressions have been detached from their initial context. The work juxtaposes the mechanic with the sensuous in an exploration of the tenderness and violence in sharing a form.

Six dancers are stuck in an already given structure that duplicates and repeats itself. Nothing really develops, but the choreography is not sealed. Outside leaks in and the other way around. Details spill over as what is already determined gets exposed to meetings that are random and incalculable.

Stina Ehn and Oda Brekke’s choreographic collaboration departs from a set of methodical procedures where dancing and writing closes in on the relationship between body and place. They are interested in how social and architectural structures are embodied and shape meetings with other people.

The music in the piece is a new composition by Saga Fagerström that takes off from the same choreographic method as used on the dance material.



&#60;img width="7999" height="5338" width_o="7999" height_o="5338" data-src="https://freight.cargo.site/t/original/i/5fdf01b3fc8498d0c48cc05524cb9710e411e98493bc81d0d6b1034dd162c9c5/Group-.jpeg" data-mid="251770373" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/5fdf01b3fc8498d0c48cc05524cb9710e411e98493bc81d0d6b1034dd162c9c5/Group-.jpeg" /&#62;
&#60;img width="7794" height="5201" width_o="7794" height_o="5201" data-src="https://freight.cargo.site/t/original/i/a9d27ad8832e4358085207f6e62321b4f5ba0ab93d6d861ff7278006499ba4f2/stina-och-sunni.jpeg" data-mid="251772788" border="0"  src="https://freight.cargo.site/w/1000/i/a9d27ad8832e4358085207f6e62321b4f5ba0ab93d6d861ff7278006499ba4f2/stina-och-sunni.jpeg" /&#62;Photo: Emma AnellChoreography Stina Ehn and Oda Brekke
Dance Oda Brekke, Ottavia Catenacci, Ewemande Ehiwe, Stina Ehn, Elise Nohr, Lisa Schåman, Sunniva Vikør Egenes, Adriano Wilfert Jensen Performed by Oda Brekke, Ottavia Catenacci, Ewemande Ehiwe, Stina Ehn, Lisa Schåman, Sunniva Vikør EgenesMusic Saga FagerströmCostume Elise NohrLight Jonathan WinboDramaturgical advice Adriano Wilfert Jensen
Administration Interim kultur -an employment cooperative owned by artists

Premiere
23- 24 May 2026 Hägerstensåsens medborgarhus
Other presentations
28 May 2026 Haninge Konsthall, opening of the exhibition Vardagens Koreografi curated by Elias Kautsky
ResidenciesBergen Kunsthall Live StudioBergen Dansesenter -Kompetansesenter for dans i Vestland ccapDanscentrum Syd,höjden studios, PAF -Performing Arts ForumMDT -Moderna dansteaternSITEStällbergs gruva

Supported by Nordisk Kulturfond, Nordisk kulturkontakt, Konstnärsnämndens internationella dansprogram, 
Region Stockholm





&#60;img width="7061" height="4712" width_o="7061" height_o="4712" data-src="https://freight.cargo.site/t/original/i/d868aa86e0d6050fed63e0cf0a5fc6f5e91426f35ad3c2653df34f7a4b30267c/lisa-och-oda.jpeg" data-mid="251772786" border="0"  src="https://freight.cargo.site/w/1000/i/d868aa86e0d6050fed63e0cf0a5fc6f5e91426f35ad3c2653df34f7a4b30267c/lisa-och-oda.jpeg" /&#62;&#60;img width="7562" height="5046" width_o="7562" height_o="5046" data-src="https://freight.cargo.site/t/original/i/27a8c8184f91b34dccac70076bce552cf1460b65fab2416c93cc708f8e50e691/ewes-och-ottavia.jpeg" data-mid="251772785" border="0"  src="https://freight.cargo.site/w/1000/i/27a8c8184f91b34dccac70076bce552cf1460b65fab2416c93cc708f8e50e691/ewes-och-ottavia.jpeg" /&#62;&#60;img width="8368" height="5584" width_o="8368" height_o="5584" data-src="https://freight.cargo.site/t/original/i/a488b2444b7a2e4480149b4d71f11ec0c1301222f7057627240bb6465064f225/lisa-och-stina.jpeg" data-mid="251772787" border="0"  src="https://freight.cargo.site/w/1000/i/a488b2444b7a2e4480149b4d71f11ec0c1301222f7057627240bb6465064f225/lisa-och-stina.jpeg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>dead dead document</title>
				
		<link>https://odabrekke.com/dead-dead-document</link>

		<pubDate>Tue, 18 Jan 2022 19:02:13 +0000</pubDate>

		<dc:creator>odabrekke.com</dc:creator>

		<guid isPermaLink="true">https://odabrekke.com/dead-dead-document</guid>

		<description>
	dead dead document




dead dead document gathers together dance, text and sound, all of which carry memories from a process fragmented between differing times and places. The work asks questions about the aftermath of dance and plays with objectmaking as a means of noticing that which lives in its periphery.
 The three hour long choreography invites the audience to attend to positions and perspectives, as they get implicated in a room that is shifting.&#38;nbsp;By explicit relation to each place where the performance unfolds dead dead document attends to histories by details. The work is&#38;nbsp; presented in collaboration with already existing archives and libraries which gives each reiteration of the work a variation in form.dead dead document is a project that studies dance, its aesthetic, contextual and material circumstances through the notion of porousness. The publication It Absorbs: On Dance As a Porus Art Object is made available for the audience to read during the performance. 
 

&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/c3d36ba98b09457a96f093502d9bfee360fa04f2d251cb4327b8241686be3303/2.jpg" data-mid="216611306" border="0"  src="https://freight.cargo.site/w/1000/i/c3d36ba98b09457a96f093502d9bfee360fa04f2d251cb4327b8241686be3303/2.jpg" /&#62;&#60;img width="5380" height="3587" width_o="5380" height_o="3587" data-src="https://freight.cargo.site/t/original/i/965d50e36b5cfce7cdf24f0c0552a86bcff88ae39e8d06de89394e0ec1f1762d/4.jpg" data-mid="216611303" border="0"  src="https://freight.cargo.site/w/1000/i/965d50e36b5cfce7cdf24f0c0552a86bcff88ae39e8d06de89394e0ec1f1762d/4.jpg" /&#62;
Photo: Nadja Voorham
Choreography and sound: Oda Brekke

Performed by, made with Lisa Schåman and Tuuli Vahtola
Costume and conversation Ida Sidenvall&#38;nbsp;Light Jonatan WinboSound mentoring Scott CazanProduction Interim KulturCo-production and premiere MDT-Moderna Dansteatern, Stockholm 2024. 
Presented with MDTs zine archive and the Reading Edge Library.Thanks to Stina Ehn, Eva Meyer Keller, Tuija Roberntz and Anders Paulin.On tour&#38;nbsp;
25-26.10.2025&#38;nbsp; Oktoberdans BIT teatergarasjen, Universitetsbiblioteket, Bergen, Norway
Residencies01-30.07.2022 Ufer Studios (Berlin, Germany)
06-12.02.2022 Bergen Dansesenter (Bergen, Norway)
28.11-13.12.2021 Veem House for Performance (Amsterdam, Netherlands)Other presentations
27.08.2022 WIP at Dans en fest, BIT teatergaragen/Carte Blanche/Bergen Dansesenter (Bergen, Norway)


Supported by The Swedish Arts Grant Committee, The Norwegian Art Council, Swedish-Finnish Cultural Foundation and Bergen Dansesenter.


&#60;img width="3648" height="5472" width_o="3648" height_o="5472" data-src="https://freight.cargo.site/t/original/i/e0842b86236395c00a57467d40c3773c5be8bfde430716553a88f14b14a9cc9c/3.jpg" data-mid="216611304" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/e0842b86236395c00a57467d40c3773c5be8bfde430716553a88f14b14a9cc9c/3.jpg" /&#62;&#38;nbsp; &#38;nbsp;&#60;img width="3648" height="5472" width_o="3648" height_o="5472" data-src="https://freight.cargo.site/t/original/i/e7a7107baa7013042a1864761b2d9d55ea4f8b7731f32e8d58cc94a9f3a9a8a3/5.jpg" data-mid="216611335" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/e7a7107baa7013042a1864761b2d9d55ea4f8b7731f32e8d58cc94a9f3a9a8a3/5.jpg" /&#62;Photo: Nadja Voorham


Gry Tingskog, Alexis Steves and Sara Kaaman on dead dead document /&#38;nbsp;Ravel Review
Interview by Izabella Borzecka/ Reading Edge/MDT
Interview by Lies Mensink/Veem House for Performance




</description>
		
	</item>
		
		
	<item>
		<title>It Absorbs: On Dance as a Porous Art Object</title>
				
		<link>https://odabrekke.com/It-Absorbs-On-Dance-as-a-Porous-Art-Object-1</link>

		<pubDate>Fri, 30 Aug 2024 09:35:17 +0000</pubDate>

		<dc:creator>odabrekke.com</dc:creator>

		<guid isPermaLink="true">https://odabrekke.com/It-Absorbs-On-Dance-as-a-Porous-Art-Object-1</guid>

		<description>
	It Absorbs: 
On Dance as a Porous Art Object




&#38;nbsp;

It Absorbs: On Dance as a Porous Art Object is an essay written alongside the making of the piece dead dead document . The essay is published as a hand printed publication made in collaboration with Maia Means.&#38;nbsp;Can the notion of&#38;nbsp;Porousness work as an image through which we can understand the relation between dance and place?&#38;nbsp; The essay aims to articulate the importance of the people and ideas that accompany dance making and traces a process in conflict with an economy that force dance artists to move on. What does such ruptures actually produce?&#38;nbsp;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/0fc53ad8b511f0a522e0b6ad2780840a3920b5cd0a0c86c8f7bcb1f1794cc084/IMG_6647.JPG" data-mid="217189923" border="0"  src="https://freight.cargo.site/w/1000/i/0fc53ad8b511f0a522e0b6ad2780840a3920b5cd0a0c86c8f7bcb1f1794cc084/IMG_6647.JPG" /&#62; 

&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/2d967ff8f5cbf0e6c9f31eccf6bdd9a625f5fb2abc1130b55ac6abc35a7dc57e/IMG_6664.JPG" data-mid="217189922" border="0"  src="https://freight.cargo.site/w/1000/i/2d967ff8f5cbf0e6c9f31eccf6bdd9a625f5fb2abc1130b55ac6abc35a7dc57e/IMG_6664.JPG" /&#62;

Published 2024 Skogen, Gothenburg
Text Oda Brekke

Photos&#38;nbsp; Lisa Schåman, Tuuli Vahtola and Oda Brekke
 Advice from Edith Ekström
Design Maia Means

Hand printed by Maia Means, Oda Brekke,Stina Ehn and Jack Ohlson at Skogen Community press on Scandia 2000 with Risograph and Kyocera Advice from Klas Trollius


Supported by Helge Ax:son Johnsons stiftelse
 
					
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/4e5e906762981fa9df11a098d40fdf1eea6fa95e8ff1b6a9751a9c49c226e37c/reading-room-port.JPG" data-mid="217197804" border="0"  src="https://freight.cargo.site/w/1000/i/4e5e906762981fa9df11a098d40fdf1eea6fa95e8ff1b6a9751a9c49c226e37c/reading-room-port.JPG" /&#62;From presentation at Reading Edge/ MDT Stockholm
Photo: Nadja VoorhamPDF- It Absorbs




</description>
		
	</item>
		
		
	<item>
		<title>A take away cup and a cloud</title>
				
		<link>https://odabrekke.com/A-take-away-cup-and-a-cloud</link>

		<pubDate>Mon, 25 Sep 2023 12:43:13 +0000</pubDate>

		<dc:creator>odabrekke.com</dc:creator>

		<guid isPermaLink="true">https://odabrekke.com/A-take-away-cup-and-a-cloud</guid>

		<description>
	

	A take away cup and a cloud


A take away cup and a cloud is an essay written alongside the dance performance Seems to be by Denise Lim and Stina Ehn. It plays with a variety of containers–the list form being one. By mixing a personal with a historical gaze it traces the trajectory of mundane commodities and&#38;nbsp; the replacement of material with imaterial objects brought about to the everyday by technical progress.&#38;nbsp;



&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/c9d228007d28ff9e0b3da25d1b8a0ec3edc70a83f1034b85ca70316559a48e01/IMG_5667.JPG" data-mid="191789273" border="0" data-scale="92" src="https://freight.cargo.site/w/1000/i/c9d228007d28ff9e0b3da25d1b8a0ec3edc70a83f1034b85ca70316559a48e01/IMG_5667.JPG" /&#62;Text: Oda Brekke
Design: Edith Ekström
Printed at höjden studios Stockholm 2023Produced within the project Seems to be by Stina Ehn and Denise Lim.

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/4adb316791493f2034e9b5c3111d27c7f3d9a014793a94e1ccd8571bdbc9da43/IMG_5677.JPG" data-mid="191789276" border="0" data-scale="44" src="https://freight.cargo.site/w/1000/i/4adb316791493f2034e9b5c3111d27c7f3d9a014793a94e1ccd8571bdbc9da43/IMG_5677.JPG" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/451e9c3052a4cd529fa6f0919ec10127f14c5359ef1b40b8b9b6051a24c5d156/IMG_5678.JPG" data-mid="191789277" border="0" data-scale="44" src="https://freight.cargo.site/w/1000/i/451e9c3052a4cd529fa6f0919ec10127f14c5359ef1b40b8b9b6051a24c5d156/IMG_5678.JPG" /&#62;Download PDF&#38;nbsp; or get in touch for a paper copy.</description>
		
	</item>
		
		
	<item>
		<title>When there’s only surface left</title>
				
		<link>https://odabrekke.com/When-there-s-only-surface-left</link>

		<pubDate>Wed, 05 Jan 2022 18:48:20 +0000</pubDate>

		<dc:creator>odabrekke.com</dc:creator>

		<guid isPermaLink="true">https://odabrekke.com/When-there-s-only-surface-left</guid>

		<description>
	When there’s only surface left


 Departing from an interest in the innumerable traces that are discovered and produced when dancing When there’s only surface left tampers with the paradoxical meaning of the concept surface. It evokes both the sense of the most concrete and graspable; what is actually here, what can be seen, touched and pointed at. At the same time surface brings to mind superficiality and appearance– a fasade stripped from solid structure and deep meaning.

The dance material is generated through a surface logic; a continuous movement and effort of emptying things out. The performance invites us along textures and marks through sonorous, visual and tactile perception. It produces a room where digital sound, textile and dance relate through their specific materiality and where their memories can be attended to in ever closer proximity.

&#60;img width="5184" height="3888" width_o="5184" height_o="3888" data-src="https://freight.cargo.site/t/original/i/f1e17d6e5cbbe762cf531efcfc74f4d01829d984376da54d769ace244700c999/P1032741.JPG" data-mid="191778354" border="0"  src="https://freight.cargo.site/w/1000/i/f1e17d6e5cbbe762cf531efcfc74f4d01829d984376da54d769ace244700c999/P1032741.JPG" /&#62;Photo by Vetle Fortun

Concept and choreography: Oda Brekke
Dance: Maia Means, Lisa Schåman,&#38;nbsp;Sunniva Vikør Egenes  and Oda Brekke&#38;nbsp;
Sound: Hara Alonso
Textile and objects: Mathilde Sundfjord Sæthre
Dramaturgical advice: Karina Sarkissova
Administration: Artist cooperative Interim kultur
Special thanks to Stina Ehn and Jack Ohlsson
Premiere: Weld, Stockholm 26th August 2021On tour28.04.2022 höjden studios, Stockholm, Sweden
04.05.2022 Bergen Kjøtt, Bergen, Norway 22.09.2022 Zagreb National Museum of Contemporary Art,&#38;nbsp;IMPROSPEKCIJE&#38;nbsp; festival curated by Antisezona, Croatia
09.11.2022 DANCE COOPERATIVE,Performance Night #2 curated by Paolo de Venecia Gile, Copenhagen, Denmark


Residencies 
16-25.08.2021 Weld (Stockholm, Sweden03-15.07.2021 höjden (Stockholm, Sweden)03-09.05.2021 Danscentrum Väst (Gothenburg, Sweden)
06-16.04.2021 Dansplats Skog (Gävleborg, Sweden)
08-19.03.2021 Konstepidemin (Gothenburg, Sweden)

Supported by Weld, The Swedish Arts Council, Swedish Arts Grant Committee and the Nordic Culture Fund.
		


&#60;img width="5184" height="3888" width_o="5184" height_o="3888" data-src="https://freight.cargo.site/t/original/i/282b6c72fa5eab759fde6f24a864f45cedafd3dd567d3dc6de1d22de24122a5c/P1032812.JPG" data-mid="191778355" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/282b6c72fa5eab759fde6f24a864f45cedafd3dd567d3dc6de1d22de24122a5c/P1032812.JPG" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="5184" height="3888" width_o="5184" height_o="3888" data-src="https://freight.cargo.site/t/original/i/7b231ad4697a99717de4b5a444e00723cf7386546619d4792f3d2ab6fd53b03f/P1032832.JPG" data-mid="191778356" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/7b231ad4697a99717de4b5a444e00723cf7386546619d4792f3d2ab6fd53b03f/P1032832.JPG" /&#62;Photos by Vetle ForthunReview by Thomas Ohlsson, Svenska Dagbladet


 

</description>
		
	</item>
		
		
	<item>
		<title>Cut: a choreo-essay</title>
				
		<link>https://odabrekke.com/Cut-a-choreo-essay</link>

		<pubDate>Tue, 25 Jan 2022 18:25:40 +0000</pubDate>

		<dc:creator>odabrekke.com</dc:creator>

		<guid isPermaLink="true">https://odabrekke.com/Cut-a-choreo-essay</guid>

		<description>Cut: a choreo-essay&#38;nbsp;


&#38;nbsp;This performance is an attempt to think out loud about my work in public.&#38;nbsp;At times the score is to describe the task itself as I am performing it, at times I aim to ponder upon themes related to the work that I am interested in such as documentation of dance and its place in the archive, the notion of leftovers, the horror of abjection and photography as a medium without anticipation. 
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/0dc676590454eb1c9c9547b4d8d701e827dc71971044e47f2b9d78aa422c94bf/IMG_5480.JPG" data-mid="191776879" border="0"  src="https://freight.cargo.site/w/1000/i/0dc676590454eb1c9c9547b4d8d701e827dc71971044e47f2b9d78aa422c94bf/IMG_5480.JPG" /&#62;Photo by Leah Landau
By and with: Oda Brekke
Many thanks to my collaborators Lisa Schåman and Tuuli Vahtola. The tasks I am performing are developed through the reseach we did together as part of the process of making dead dead document. The thoughts I am elaborating on are a continuation of our co-thinking and I would not have had material to adress without reading, talking and thinking with you.&#38;nbsp;Performed at14.01.2023 Kafé Mix, höjden studios, Stockholm, Sweden18.03.2023 Fylkingen, Stockholm Sweden 17-20.08.2023 Microhistories (group exhibition) at Konstfack, Stockholm, Sweden
 

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/542d38e1543e905f8f91a8d9d30ea3e37ce06979e595598fe13c7330852938af/score.jpeg" data-mid="191781487" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/542d38e1543e905f8f91a8d9d30ea3e37ce06979e595598fe13c7330852938af/score.jpeg" /&#62;



&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="848" height="1084" width_o="848" height_o="1084" data-src="https://freight.cargo.site/t/original/i/42a7593acc6ee2b2c3c2002af5f13bdd317741c477b6f4f740fe4471f0e362c6/IMG_5479.jpg" data-mid="191776878" border="0" data-scale="45" src="https://freight.cargo.site/w/848/i/42a7593acc6ee2b2c3c2002af5f13bdd317741c477b6f4f740fe4471f0e362c6/IMG_5479.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/c1ace3675c3b99d2dfdd30cc9f01e0bf0490483a9afa884b1bd1552a1c44390c/IMG_6611.JPG" data-mid="191777148" border="0" data-scale="43" src="https://freight.cargo.site/w/1000/i/c1ace3675c3b99d2dfdd30cc9f01e0bf0490483a9afa884b1bd1552a1c44390c/IMG_6611.JPG" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Photos by Leah Landau

</description>
		
	</item>
		
		
	<item>
		<title>Pocket phrases</title>
				
		<link>https://odabrekke.com/Pocket-phrases</link>

		<pubDate>Tue, 18 Jan 2022 19:15:01 +0000</pubDate>

		<dc:creator>odabrekke.com</dc:creator>

		<guid isPermaLink="true">https://odabrekke.com/Pocket-phrases</guid>

		<description>
	Pocket phrases


 by and with Oda Brekke &#38;amp; Stina Ehn


Pocket phrases is a series of dances approached with an interest in systematic processes of creation, where producing comes first and analyzing later.Pocket phrases is a performance where the audience is invited to witness two performers pace through a series made up of singular parts. Each of them offers a sense of its own; a particular universe of figures, rhythms, and steps.Pocket phrases asks what happens to a form when it is doubled, repeated and reoriented.Pocket phrases takes place outdoors in a place where the public seeps in. It needs a frame, but does not have a ceiling.Pocket phrases lets the softness of skin and tissues meet the hardness of asphalt and stone. It invites people to come closer to a place and to spend time with details.Pocket phrases is a project that continues, a collaborative study of what comes out of dance when it gets a determined form without aiming at determined meaning or sense.


&#60;img width="3072" height="4608" width_o="3072" height_o="4608" data-src="https://freight.cargo.site/t/original/i/5929445279077a3406169e3dcc11034cbdbb712dd4658755a862753fbbe51be8/-Pocket-phrases--cover-photo.JPG" data-mid="132127805" border="0"  src="https://freight.cargo.site/w/1000/i/5929445279077a3406169e3dcc11034cbdbb712dd4658755a862753fbbe51be8/-Pocket-phrases--cover-photo.JPG" /&#62;

Photo by Olle Ehn Hillberg

Residencies13-19.09.2021 Kunsthuset Wrap (Bergen, Norway)Performances26.03.2022 Danserom, Marinehallen, Bergen Norway&#38;nbsp; (performed by Oda Brekke and Tuuli Vahtola)
24-25.09.2021 Dance cooperative Copenhage, Denmark
Supported by Slots og kulturstyrelsen (Denmark)


&#60;img width="4608" height="3072" width_o="4608" height_o="3072" data-src="https://freight.cargo.site/t/original/i/5c187c641e7b0286d1ec0841625c422425e50f8e62b2cd9a3979f7c20fc1073a/Pocket-phrases-page-photo.jpg" data-mid="132128537" border="0"  src="https://freight.cargo.site/w/1000/i/5c187c641e7b0286d1ec0841625c422425e50f8e62b2cd9a3979f7c20fc1073a/Pocket-phrases-page-photo.jpg" /&#62;Photo by Olle Ehn Hillberg


&#60;img width="828" height="1104" width_o="828" height_o="1104" data-src="https://freight.cargo.site/t/original/i/97bef216d1c8bf33579d4caa15f52157e66b8d3eb41c55049f74351d5cb85e10/1.jpeg" data-mid="138385935" border="0" data-scale="46" src="https://freight.cargo.site/w/828/i/97bef216d1c8bf33579d4caa15f52157e66b8d3eb41c55049f74351d5cb85e10/1.jpeg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="828" height="1104" width_o="828" height_o="1104" data-src="https://freight.cargo.site/t/original/i/235bc1efc2ba90429116979bcdc94d6c4639c760707c4d532d0da99696efd6b0/7.jpeg" data-mid="138385937" border="0" data-scale="46" src="https://freight.cargo.site/w/828/i/235bc1efc2ba90429116979bcdc94d6c4639c760707c4d532d0da99696efd6b0/7.jpeg" /&#62;
Photo: Inga Haveland Mannsåker</description>
		
	</item>
		
		
	<item>
		<title>Art as Practice &#124; Art as Object</title>
				
		<link>https://odabrekke.com/Art-as-Practice-Art-as-Object</link>

		<pubDate>Tue, 18 Jan 2022 19:16:08 +0000</pubDate>

		<dc:creator>odabrekke.com</dc:creator>

		<guid isPermaLink="true">https://odabrekke.com/Art-as-Practice-Art-as-Object</guid>

		<description>
	Art as Practice &#124; Art as Object


 by PIM (Para institutional model)



Para Institutional Models poses questions around what the public is and what is included in the notion of the public sphere. What kind of work, performance, communication, thing, act, text, or speech has the potential of publicly manifesting itself and thus offering itself to a public negotiation? These questions unfold a discussion around the relationality between /art works/ and /artistic process/ between /art as object/ and /art as practice/ and their respective capacities for common negotiation and manifestation.

‘Art as Practice&#124;Art as object’ features a collection of discussions and interviews between the PIM group, artists, and arts organisations. Is the purpose of an institution fulfilled only when its practice, at some point and in some way, manifests in the public realm? It includes essays by Manon Santkin and Nina Möntmann, and a short story by Francis McKee.




&#60;img width="1546" height="3127" width_o="1546" height_o="3127" data-src="https://freight.cargo.site/t/original/i/44e7a2197ab78a416a1deb77e818915dca1e6563542c597455f3bbfa2a58da8e/art-as-practice...jpg" data-mid="132129475" border="0"  src="https://freight.cargo.site/w/1000/i/44e7a2197ab78a416a1deb77e818915dca1e6563542c597455f3bbfa2a58da8e/art-as-practice...jpg" /&#62;



Contributions by Emilia Gasiorek, Oda Brekke, Manon Santkin, Maia Means, Sara Parkman, Carl-Oscar Sjögren, Veronica Thorseth, Leo Preston, Johan Forsman, Nina Möntmann, Francis McKee, Anders Paulin, Maryam Fanni, Thomas Paltiel, Goro Tronsmo, and Kim West.

The book is produced and edited by PIM’s Archive group consisting of Emilia Gasiorek, Anders Paulin, Oda Brekke, and Runa Borch Skolseg.

Design by Mika Kastner Johnson

Printed on Risograph by Barrie James Sutcliffe at KKV Göteborg and Skogen Community Press

English, 262 pages, limited first edition of 180.

Funded by Nordisk Kulturfond

Published 2020 by Skogen, Gothenburg, Sweden


A paper copy of the book can be bought at Skogens webpage where it’s also possible to download it as a pdf for free.</description>
		
	</item>
		
	</channel>
</rss>